Perhaps it was the need to push on for runs and a fourth-innings target, perhaps it was something deeper. Either way, some uncharacteristic flourishes in Chris Rogers final innings for Somerset this season tended to indicate these were the parting shots of a prolific and valuable career.For many a year, Rogers had been crease-bound against spin, leaning heavily on advice conveyed by Lance Klusener in their time together at Northamptonshire: build a solid defence against spinners and wait for the bad ball. But here he was, dancing down to Samit Patel and lofting over long-on.More recently, Rogers had been haunted by the threat of the short ball, his fears exacerbated by the death of Phillip Hughes then maintained by numerous head knocks over the course of his last few Test assignments for Australia. Yet the last scoring stroke with which he moved to a 76th first-class hundred - only eight Australians have more - was a hook shot.Proof, then, that Rogers always had these shots in his locker, and perhaps a flightier personality would have used them more frequently. Instead, these moments in innings No. 554 were the exceptions that prove the rule: by knowing his limitations and working within them, Rogers carved out a batting method that stood up to more examinations than most. He also earned the belated validation of a memorable stint in the Australian Test side, years after he had given up hope of getting there for longer than his earlier solitary appearance.To finish in England was fitting, for it was largely on those northern shores that Rogers sculpted his way of batting. When he first travelled to play there his technique was more or less classically Australian: back and across to cover bounce and be in position to play cross bat strokes on the hard and true expanses of the WACA Ground.But the means by which Rogers would become a consistent and heavy run scorer were to come later, via help from the likes of Paul Nixon and Klusener. A double hundred against the touring Australian Ashes team of 2005 was significant not only as the innings that put Rogers on the map back home, but also as the first sign his English lessons were starting to take root. In the simplest terms, he worked on playing in straight lines down the pitch, and covering off stump without letting the bat get outside his eyeline to adjust for lateral movement.Combined with a flinty determination at the batting crease and an agile mind eager to make adjustments for the challenges posed by different bowlers, teams and circumstances, those fundamentals led Rogers to major run-making feats. Over the past decade only twice - once through injury and once through international commitments - did Rogers fail to top 1000 runs for the English season, sharing his runs and expertise with Northants, Derbyshire, Middlesex and Somerset.These sides, plus Australia, benefited too from Rogers the thoughtful leader, and Rogers the sociable after-hours organiser. At both Derbyshire and Middlesex he did not arrive as captain but was effectively promoted to the rank in the field. By the time he signed on to play at Taunton this year there was expectation of the battling club being given the Rogers touch, characterised by example with the bat, sound ideas in the field, dedication in training and yarn-spinning in the dressing room.An attentive brand of leadership has found its greatest 2016 exemplar in the growth of the left-arm spinner Jack Leach, proficient in his craft but also shy and reticent in a way Rogers doubtless recognised in his younger self. The following words were spoken after Leach had bowled Somerset to victory over Yorkshire at Headingley, as blunt as they were empathetic:I am still a big believer that you need more than one good season to play for England. With Jack, I think his games in order, I think emotionally he still has a bit of a way to go and I dont think hed be upset with me saying that. He is still a young guy, he has only ever been in Somerset and the challenges in international cricket are a lot more difficult. If they pick him then good luck to him but theyd better look after him.Protective of his men but honest with them also, Rogers parting gift to Somerset was to drive them to within a days good fortune of the clubs first ever County Championship. That his batting and leadership will be missed to the game is beyond dispute. But it is equally easy to conclude that the lessons learned over the past 18 years will be rare gold for Rogers in coaching ranks. Custom Baseball Jerseys . 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The biggest question lingering from the first episode of Pitch, was how sustainable is a television show like this? In fairness, thats a question most television shows face. I doubt people would have bet that Greys Anatomy would get to a 13th season, and by the way, the scripted program is still finding new material for the team at?Grey Sloan Memorial Hospital.Pitch invests in its characters backstories and relationships as a means of augmenting the center story of its lead character, Ginny Baker, who is trying to make it in the big leagues. The result is a rich, full series that provides additional options for character development.In other words, Pitch is deep, yall.Plenty happened in the latest episode, which is aptly titled The Interim, but what really takes center stage is Baker struggling with the added media attention from Ginsanity -- the corny cousin of Linsanity from 2012 -- and how to use (or not to use) her elevated platform. No one can stop talking about her. The media wants her to comment on a sexual assault case in Florida; and a video of the Padres manager, Al, making sexist comments about her surfaces.Through it all, she insists that shes one of the guys and tells her agent, Im a ballplayer, like shes Monica from Love & Basketball yelling at Quincy.Ginny Baker, however, is not just one of the guys, no matter how much she wants to be, and thats not really what this is about anyway. Nestled within the conversations between Baker and her agent, teammate Mike Lawsons rousing pregame speech, and the probable firing of Al (Dan Lauria) is some exploration of identity politics.The Interim quietly asks, what does it really mean to be going through this experience as a woman, like Ginny Baker? What are her responsibilities? What does it mean to be a man? What does it mean to be a captain? Are you still a good man if youre politically incorrect? And what matters more ... intent or impact?The answers to those questions are the beating heart of the show Pitch strives to be. During a set visit in August, executive producer and showrunner Kevin Falls said Pitch was about the human condition. Identity politics are absolutely part of what make up the human experrience, and the series certainly does not shy away from that.ddddddddddddWhile sitting across from real-life late show host Jimmy Kimmel, fictional character Ginny Baker says, It seems like Im making a statement just by existing lately.Thats a loaded statement, and something that is surely relatable to many people watching the show. Baker is caught between a rock and a hard place. She desperately wants to fit in with her teammates and play baseball, but she also is having to navigate a previously unwalked path, all the while attempting to hold on to her precarious situation as a recently called-up pitcher who could be sent down from the majors at any moment.The struggle around identity, however, is not just limited to Baker. Her story is just the most prominent.In an interesting scene, Padres owner Frank Reid (Bob Balaban) discusses manager Als fate with Oscar Arguella (Mark Consuelos), the GM. Reid comments to Arguella that in addition to his getting hired because hes good at his job, he also looks like Spanish Superman.Im Mexican, Arguella responds.A few moments later when Reid tells Arguella he doesnt have him over for dinner because he doesnt get close to his employees, Arguella says, I thought it was because Im Mexican.This is interesting, not only because Reid admits to not being color-blind and implies that he values a perspective of someone who is not a mirror reflection of himself, but also because Arguella has clearly questioned why he hasnt been invited to his boss place for dinner. His own ethnicity is clearly salient to him, and his admission leaves viewers wondering what happened in his life to make him take pause at Reids distance.This is an important and palpable moment at a time when American society struggles with wanting to be color-blind and how to deal with racial and ethnic diversity. This is not unlike the sentiment Ginny is navigating in trying to decide whether her gender matters. Of course it matters, and so does race.What doesnt matter is how much we try to mute pieces of ourselves. They shine through anyway.Its the response that counts. ' ' '